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A Delectable Education Charlotte Mason Podcast

Through twice monthly conversations, three moms who have studied the Charlotte Mason method of education and put her ideas into practice in their homes join together to share with one another for the benefit of listeners by giving explanations of Mason's principles and examples of those principles put into practice out of their own teaching experience. These short discussions aim at providing information, support, and encouragement for others by unfolding the myriad aspects.
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A Delectable Education Charlotte Mason Podcast
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Now displaying: Page 9
Nov 10, 2017

This podcast episode describes why, to Charlotte Mason, art was a living, breathing part of life and, hence, the curriculum. How do we open the doors to beauty and truth found in art as teachers? When and how do we progress in an orderly fashion? This episode also includes guidance for the mother with little art background herself.

 

"But any sketch of the history teaching in Forms V and VI in a given period depends upon a notice of the 'literature' set...and where it is possible, the architecture, painting, etc., which the period produced." (Vol. 6, pp. 177-78)

"For taste is the very flower, the most delicate expression of individuality, in a person who has grown up amidst objects lovely and befitting, and has been exercised in the habit of discrimination. Here we get a hint as to what may and what may not be done by way of cultivating the aesthetic sense in young people. So far as possible, let their surroundings be brought together on a principle of natural selection, not at haphazard, and not in obedience to fashion. Bear in mind, and let them often hear discussed and see applied, the three or four general principles which fit all occasions of building, decorating, furnishing, dressing: the thing must be fit for its purpose, must harmonise with both the persons and the things about it; and, these points considered, must be as lovely as may be in form, texture, and colour; one point more––it is better to have too little than too much." (Vol. 5, p. 232)

"It may not be possible to surround him with objects of art, nor is it necessary; but, certainly, he need not live amongst ugly and discordant objects; for a blank is always better than the wrong thing." (Vol. 5, p. 232)

[By eleven children should give] "orderly descriptions of pictures and training in this must begin gradually some years before. By an 'orderly' description is meant one in which the principal objects and their positions are mentioned first, so that a listener who has never seen the picture gains a general idea of their arrangement. Then the details are given, not haphazard but on some given plan...Although there is no teaching of composition, work along these lines prepares the way for its appreciation later on." (Picture Study, E.C. Plumptre, PNEU Pamplet)

"There is no talk about schools of painting, little about style; consideration of these matters comes in later life, but the first and most important thing is to know the pictures themselves. As in a worthy book we leave the author to tell his own tale, so do we trust a picture to tell its tale through the medium the artist gave it. In the region of art as else-where we shut out the middleman." (Vol. 6, p. 213)

Modern Painters, John Ruskin

Art For Children series, Ernest Raboff

The Renaissance: A Short History, Paul Johnson

Story of Painting, H.W. Janson

Child's History of Art, V.M. Hillyer (Rare, but in five volumes: Architecture 1, Architecture 2, Sculpture, Fine Art 1, Fine Art 2)

Emily's Picture Study Portfolios

Picture Study, PNEU Pamphlet

Picture Talks, K. R. Hammond, Parents' Review, Vol. 12, No. 7, pp. 501-509

 

Nov 3, 2017

Drawing was an essential component of the Charlotte Mason feast of subjects, and this podcast episode describes her purpose for including this skill. If drawing intimidates or paralyzes you because of your own feelings of incompetence to instruct, Emily offers practical tips for opening the world of expression through drawing for your children of all ages.

 

"It is only what we have truly seen that we can truly reproduce, hence, observation is enormously trained by art teaching. Personally, I believe every living soul can learn to draw from actual objects, if the eye has not first been vitiated by seeing copies of them." (Miss Pennethorne, PR 10)

"This is what we wish to do for children in teaching them to draw--to cause the eye to rest, not unconsciously, but consciously n some object of beauty which will leave in their minds an image of delight for all their lives to come." (Vol. 1, p. 313)

"Art, when rightly directed, is educational, for it trains not only one faculty, but all the faculties together; it trains the hand and the eye, and it trains the head and the heart; it teaches us to see and to see truly; it teaches us to think--that science can do; but it teaches us also to admire and to love; it disciplines the emotions." (Mr. Collingwood, The Fesole Club Papers)

"...the great benefit of "brushwork" being that it can be made quite a moral training in exactness and decision." (Mrs. Perrin, "Brush Drawing", PR 4)

"Children should learn to draw as they learn to write. The great point is that they should be encouraged, not flattered. With no help and encouragement the child gradually loses his desire to draw." (Mrs. Steinthal, "Art Training in the Nursery", PR 1)

"There are two great points that must be remembered if we wish to make our system of art teaching...successful. The first is, always keep the children interested. Next, let us understand that drawing is not only learnt with a pencil and a piece of paper....The chief value of drawing is that it trains the eye to see things as they are." (Mrs. Steinthal, PR 1)

"...we must be careful not to offer any aids in the way of guiding lines, points, and other such crutches; and also that he should work in the easiest medium; that is, with paint-brush or with charcoal, and not with a black-lead pencil. Boxes of cheap colours are to be avoided. Children are worthy of the best." (Vol. 1, p. 313)

"The first buttercup in a child's nature note book is shockingly crude, the sort of thing to scandalise a teacher of brush-drawing, but by and by another buttercup will appear with the delicate poise, uplift and radiance of the growing flower." (Vol. 6, p. 217)

"Drawing is nothing to do with talent, but can be done with observation, intelligence and application--or by seeing, remembering and expressing and is a fundamentally educative subject." (Juliet Williams, "The Teaching of Drawing and Its Place in Education", PR 34)

School Education (Volume 3), p. 205

Ourselves (Volume ), Book I, Part II, Chapters II and V

An Essay Towards a Philosophy of Education, Book I, Chapter X (f)

Drawing on the Right Side of the Brain, Betty Edwards

(Affiliate Links)

Drawing Lessons, Florence Monkhouse (PR Article)

Brush Drawing, Miss K. Loveday (PR Article)

The Teaching of Drawing and Its Place in Education, Juliet Williams (PR Article)

Brush Drawing, Mrs H. Perrin (PR Article)

Fesole Club Papers, Mr. W. G. Collingwood

What To Draw and How to Draw It

In A Large Room Retreat

Oct 27, 2017

This week's Charlotte Mason podcast Q&A episode covers questions about transitioning through morning lessons, meeting state requirements for kindergarten, and handling the needs of a gifted child.

Oct 20, 2017

This podcast episode explores how a Charlotte Mason education can be enhanced by joining with others to explore nature. Nicole Williams interviews Marcia Mattern who shares practical ideas for how to make the most of our field work together from her years of experience in leading groups.

Oct 13, 2017

This podcast episode describes Charlotte Mason's purpose for "object lessons" in spreading the feast. What is an object lesson, how is it to be conducted, how does a teacher prepare for it and other questions related to drawing our children's interest  deeper into nature study are the focus of this week's discussion.

Oct 6, 2017

Nature study is one big, beautiful part of a Charlotte Mason education. This podcast explores what is meant by “special studies,” and where it fits into the entire scheme of knowledge of the world outside. What is meant by field work, nature lore reading, and the nature journal, and how does a parent who is ignorant of nature inspire an interest in the student?

Sep 29, 2017
The application of Charlotte Mason's principles and practices raises many questions for the teacher. This Q&A installment addresses how to answer friends who ask what Mason is all about, ADE's consultation services, and scheduling concerns, notably the practice of a "looping" approach.
Sep 15, 2017

This podcast faces the reality: a Charlotte Mason education is rewarding--but enormous! It is normal to become weary, worried, and woeful at times about the immense and multitudinous tasks of educating our children, not to mention feeding, clothing, and caring for them daily. The ADE mothers have been in the trenches and share strategies and wisdom for running the race without giving up.

Sep 8, 2017

This podcast episode explores Charlotte Mason's Home Education series, the six volumes written to thoroughly explain her educational principles and practices. Join Emily Kiser in an interview with Morgan Conner as they describe the value and special characteristics of each volume individually, and where to begin in our own journey through the information-packed pages so essential to our knowledge and success as home educators.

Sep 1, 2017

When we embark on the homeschool journey, many of us feel inadequate to teach because of our own lack of education. Once we start, however, our enthusiasm for learning ourselves is usually kindled. But how to find the time, what to study, and which areas are most fruitful for us are the questions this episode will address as the ADE ladies review Mason's own Mothers Education Course and what she felt were the essential areas of study for a mother and teacher.

Aug 18, 2017

What kind of feast did Charlotte Mason spread for the oldest students? The high school years often cause anxiety  in the homeschool teacher, but with the slow and steady progress in the lower forms, a Mason educated child is going to tackle them with relish. What was included in the upper forms, what changed,  and what stayed the same?

Aug 4, 2017

Charlotte Mason carefully laid the foundation for the upper years in the lower forms. What are the differences in subjects and practices once students enter the middle form and are working toward the high school years? This podcast will survey and summarize Form III.

Jul 21, 2017

Charlotte Mason had definite ideas for why the children should learn, as well as what was to be learned at every stage of school education. This episode provides an overview of the last two years of the "elementary years," or the top of the second Form.

Jul 7, 2017

Charlotte Mason's students moved to a new "form" at age 9 or 10. What makes Form II different from form I in the subject content and skills? This podcast discusses the wider room experienced by students entering the upper elementary school years.

Jun 23, 2017

Charlotte Mason's young students had an abundant feast. This episode summarizes and reflects on the aspects of the subjects included for the upper part of the first form of school. What do they move on to after that first introductory year?

Jun 9, 2017

Charlotte Mason wanted children to set good intellectual habits, and these begin in the first year of formal lessons. A. A. Milne said, "Now we are Six," Mason said, "Now it's time to read," and this episode will describe the scope of the first year of school and its lessons.

May 26, 2017

Charlotte Mason advice to your frequently asked questions, this time on narration with non-Mason students, required standardized state testing, and the long-awaited, "What do we do in the summer?"

May 19, 2017

Charlotte Mason was a proponent of the instruction in Sloyd. What is it, and when and how is it taught? Emily interviews guest Brittney McGann, who has researched the topic and practiced this subject in her home and has many practical tips to share and resources to recommend.

May 12, 2017

Charlotte Mason developed her educational method for all students, but many feel that by high school they must get on to more serious preparation for college or career and abandon the course they have been on. The moms of A Delectable Education discuss the high school years, what studies are tackled, how to deal with college transcripts and applications and college entrance exams. Does Mason's curriculum prepare a child for the real world? Will they be able to succeed in a non-Charlotte Mason environment? What does high school look like if you follow a Mason approach to education?

May 5, 2017

Charlotte Mason had much to say about children even before they start formal school lessons. This podcast explores the wide world of the preschooler and what families should do to make the most of the early years, the "golden hours" of life before school officially begins.

Apr 28, 2017

The breadth of the Charlotte Mason feast requires a lot of knowledge for teachers. We are still learning and discuss some of those points in this episode, as well as correct comments we have made that were wrong in math, foreign language, narration, and use of lesson time.

Apr 21, 2017

One of the forms of physical education Charlotte Mason addressed was dance. This episode is an interview with Lance Halverson, ballroom dance instructor and, with his wife,  Mason educator of his own four children.

Apr 14, 2017

Charlotte Mason did not neglect the physical education of children. This episode explores the myriad ways our children's bodies can be developed in harmony with what is going on in their minds and hearts. 

Apr 7, 2017

This Charlotte Mason podcast addresses the inclusion of the subject of Latin in the wide feast. The purpose of language study, Latin in particular, is discussed, as well as how Mason approached this traditional subject in a living way.

Mar 31, 2017

Charlotte Mason's curriculum includes singing. This episode focuses on the art of singing, reasons why it should not be neglected in morning lessons,  and addresses not only the why, what, and when of this subject, but gives tips on what a teacher is to do who is not personally trained or competent in leading singing.

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